The perils of not asking “so, what are we?” in a timely manner reach their (il)logical conclusion in Oh, Hi!, a dark rom-com in which we aren’t the only captive audience.
If you want to understand the digital age and its anxieties, you could do worse than watching a Kiyoshi Kurosawa movie.
There’s no such thing as a sovereign citizen, but there are a lot of people who’d be angry if they heard you say that.
If the mobsters he owes money don’t kill Remo first, the drugs he steals from his horse ought to do the trick.
“Something really bad happened to me” is as specific as Agnes tends to be when asked about it.
You don’t think of yourself as a Dakota Johnson person until you watch her in a movie like Materialists and realize you are very much a Dakota Johnson person.
It isn’t until The Life of Chuck’s second chapter that we actually meet its title character, by which point the world (or at least a world) might have already ended.
It’s hard not to think of Royal Tenenbaum the first time you meet Zsa-zsa Korda.
A chalk barrier encircles the secluded home, though it’s unclear whether it’s meant to keep something in or out.
Tom Cruise needs us to trust him one last time.
“How come you get to be so still and calm?” Sister Midnight’s troubled heroine asks the moon on a particularly bad night.
Is the cure to male loneliness watching Friendship?
