If the mobsters he owes money don’t kill Remo first, the drugs he steals from his horse ought to do the trick.
“Something really bad happened to me” is as specific as Agnes tends to be when asked about it.
You don’t think of yourself as a Dakota Johnson person until you watch her in a movie like Materialists and realize you are very much a Dakota Johnson person.
It isn’t until The Life of Chuck’s second chapter that we actually meet its title character, by which point the world (or at least a world) might have already ended.
It’s hard not to think of Royal Tenenbaum the first time you meet Zsa-zsa Korda.
A chalk barrier encircles the secluded home, though it’s unclear whether it’s meant to keep something in or out.
Tom Cruise needs us to trust him one last time.
“How come you get to be so still and calm?” Sister Midnight’s troubled heroine asks the moon on a particularly bad night.
Is the cure to male loneliness watching Friendship?
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To say that a movie is in any way reminiscent of Erasherhead is both high praise and a warning.
“This restaurant is small,” one of Blue Sun Palace’s two leads says in the opening scene, “but the food is quite delicious.”
Reframing fairytales from a forgotten character’s perspective isn’t exactly a novel concept anymore, but folklore wouldn’t be folklore if we didn’t keep returning to it.
